When Johnny D. is forced to take on his family’s financial troubles, he turns to the Manhattan club scene to make some fast cash. As he falls under the wing of a veteran nightlife promoter, Johnny quickly rises through the ranks – but soon finds that not everything behind the red rope is full of glitz and glamour.
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The title is Adolf Hitler’s question to his chief of staff Alfred Jodl on the eve of the liberation of Paris (August 25): the military governor of Paris, General Dietrich von Choltitz, had been ordered to destroy Paris rather than let it fall undamaged into the hands of the Allies, but von Choltitz disobeyed.The film follows historical events as U.S. General Dwight D. Eisenhower, head of the Allied invasion, refuses to divert troops to liberate Paris. His hand is forced by the French military leader, Philippe Leclerc, and by a Resistance uprising in the city. Von Choltitz keeps details of the uprising from the German high command in an effort to save the city being destroyed in retaliation. The film follows his turmoil as a soldier and as the man who doesn’t wish to be seen by history as the cause of a beautiful city’s destruction.
In a little Sicilian village at the edge of a forest, Giuseppe, a boy of 13, vanishes. Luna, his classmate who loves him, refuses to accept his mysterious disappearance. She rebels against the silence and complicity that surround her, and to find him she descends into the dark world which has swallowed him up and which has a lake as its mysterious entrance.
The dry quarry and a forest that still beats. A very sick father reviews the daughter. Resentments are brought to the table. The memory of the dead awakened by blood, objects, shadows and dreams affects Clarisse at this scenario of beauty and agony. Husband and business are expecting she in the city for a cathartic outcome.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in one room of his Roman palazzo. He besieges her with flowers, gifts, and music, declaring passionately that he loves her, would go to Africa with her, would do anything for her. “What do you know of Africa?,” she asks, then, in anguish, shouts, “Get my husband out of jail!” The rest of the film plays out the implications of this scene and leaves Shandurai with a choice.
Riveting look at the politics, big business and the medical industry that has made America the most prescription-addicted society in the world. America is less than 5% of the World’s population but consumes 80% of the World’s prescription narcotics. We have gone from being the land of the free to the land of the addicted.
A struggling novelist moves his wife and young son to an old country home, but when a presence begins to communicate with his son, the family must escape an evil that threatens to doom them to the house for eternity.