Veronica, the new girl in town, is lured into the woods by a group of senior boys looking to make her a victim. But the boys don’t know that Veronica’s been trained to handle herself in surprisingly lethal ways.
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Jackie is a CCTV operator. Each day, she watches over a small part of the world, protecting the people living their lives under her gaze. One day, a man shows his face on her monitor, a man she thought she would never see again, a man she hoped never to see again. Now she has no choice and is compelled to confront him.
Living in her family’s secluded mansion, Audrina is kept alone and out of sight and is haunted by nightmares of her older sister, First Audrina, who was left for dead in the woods after an attack. As she begins to question her past and her disturbing dreams, the grim truth is slowly revealed.
New area deputy Jack Gales arrives on the island to find that a girl at the local Catholic girls school has been found dead. After investigating, he finds that students have been disappearing regularly for five years, about the time Mother Bernadette passed away. Gales and the Mother Superior’s secretary Cristina work together to try and unravel the mystery.
Britt Reid (Seth Rogen), the heir to the largest newspaper fortune in Los Angeles, is a spoiled playboy who has been, thus far, happy to lead an aimless life. After his father (Tom Wilkinson) dies, Britt meets Kato (Jay Chou), a resourceful company employee. Realizing that they have the talent and resources to make something of their lives, Britt and Kato join forces as costumed crime-fighters to bring down the city’s most-powerful criminal, Chudnofsky (Christoph Waltz).
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
Richard Widmark plays a hardened cold-war warrior and captain of the American destroyer USS Bedford. Sidney Poitier is a reporter given permission to interview the captain during a routine patrol. Poitier gets more than he bargained for when the Bedford discovers a Soviet sub in the depths and the captain begins a relentless pursuit, pushing his crew, and the on-screen tension, to breaking point in this chilling cold-war tale of cat and mouse.
When the naked body of a teenage girl is found on the banks of the River Baztán, it is quickly linked to a similar murder one month before. Soon, rumours are flying in the nearby village of Elizondo. Is this the work of a ritualistic killer or is it the basajaun, the ‘invisible guardian’ of Basque mythology? Inspector Amaia Salazar leads the investigation, taking her back to the heart of the Basque country where she was born, and where she hoped never to return. Shrouded in mist and surrounded by impenetrable forests, it is a place of unresolved conflicts and a terrible secret from Amaia’s childhood that will come back to haunt her. Faced with the superstitions of the village, Amaia must fight the demons of her past to confront the reality of a serial killer on the loose. But as she is drawn deeper into the investigation, she feels the presence of something darker lurking in the shadows…
Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film’s plot.