Based on Wall Street Journal reporter Deborah Ball’s widely-read book “House of Versace: The Untold Story of Genius, Murder, and Survival”, the movie brings to light the story of Donatella, who, following the brazen murder of her brother, world-renowned designer Gianni Versace (Colantoni) at the height of his success, is suddenly thrust into the spotlight as head designer of his fashion empire. At first ridiculed by critics worldwide, Donatella falls victim to drug addiction and nearly bankrupts the company. With the help of her family, including daughter Allegra, Aunt Lucia (Welch) and brother Santo (Feore), she enters rehab to confront her demons and soon comes back stronger than ever to re-ignite the beloved Versace brand with her own vision and builds one of the most powerful and influential fashion houses ever known.
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Jake is a quiet, sensitive middle schooler with dreams of being an artist. He meets the affably brash Tony at his grandfather’s funeral, and the unlikely pair soon hit it off. The budding friendship is put at risk, however, when a rent dispute between Jake’s father, Brian, and Tony’s mother, Leonor, threatens to become contentious.
After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick’s senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.
In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale’s 1931 “Frankenstein” for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco’s victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.