A Democratic political consultant helps a retired Marine colonel run for mayor in a small, conservative Wisconsin town.
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Following the death of his employer and mentor, Bumpy Johnson, Frank Lucas establishes himself as the number one importer of heroin in the Harlem district of Manhattan. He does so by buying heroin directly from the source in South East Asia and he comes up with a unique way of importing the drugs into the United States. Based on a true story.
Three years into their loving marriage, with two infant daughters at home in Los Angeles, Nicholas Arden and Ellen Wagstaff Arden are on a plane that goes down in the South Pacific. Although most passengers manage to survive the incident, Ellen presumably perishes when swept off her lifeboat, her body never recovered. Fast forward five years. Nicky, wanting to move on with his life, has Ellen declared legally dead. Part of that moving on includes getting remarried, this time to a young woman named Bianca Steele, who, for their honeymoon, he plans to take to the same Monterrey resort where he and Ellen spent their honeymoon. On that very same day, Ellen is dropped off in Los Angeles by the Navy, who rescued her from the South Pacific island where she was stranded for the past five years. She asks the Navy not to publicize her rescue nor notify Nicky as she wants to do so herself.
The Paradise Suite is a story about six people finding each other and, sometimes with just one glance, influencing each other’s lives irreversibly. For the beautiful young Bulgarian Jenya, her journey to Amsterdam turns out to be the opposite of what she hoped for. Her grueling captivity forces the angelic African, Yaya, to fight for her freedom – a dangerous fight in which he loses everything but his beloved faith. The Serbian war criminal Ivica, who has just become a father, is painfully confronted with the fact that crimes will never go unpunished. Bosnian Seka has nothing left to live for except her vengeance but as it turns out, it’s that same vengeance that brings love back in her life. And when the Swedish piano-wonder boy, Lukas, runs away from his new temporary home, his father Stig finally realizes that their mutual passion for music damages their relationship.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground “fight clubs” forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.
Trina’s job gets the best of her as she tries to complete just one day of healthy eating. Harassed by her cruel boss and overwhelmed by the trapped elevator occupants that reach out to her for help, her only escape is Lola, a fitness guru who she desperately tries to emulate. In this slow building drama of intertwining stories about people trapped in elevators, our heroes and villains must fight to overcome their struggles with homophobia, food addiction and racism.