A girl and a guy are stuck together after a one night stand due to a nationwide state of emergency.
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Ten-year-old Lewis goes to live with his uncle in a creaky old house that contains a mysterious ticktock noise. When Lewis accidentally awakens the dead, the town’s sleepy facade magically springs to life with a secret world of witches and warlocks.
When her scientist ex-boyfriend discovers a portal to travel through time — and brings back a 19th-century nobleman named Leopold to prove it — a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn’t return to his own time, his absence will forever alter history.
Summertime. A cruising spot for men, tucked away on the shores of a lake. Franck falls in love with Michel, an attractive, potent and lethally dangerous man. Franck knows this, but wants to live out his passion anyway.
Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold’s doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold’s father-in-law’s beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.
A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
When he was a child, Murakami was infatuated with a girl he called Kuroneko. She insisted on knowing about aliens and having met them, but no one believed her, even young Murakami was skeptical. One day, she decides to show him the aliens, but an accident occurs and Kuroneko dies while Murakami is left seriously wounded in the hospital. Years go by and Murakami obsesses on finding proof of the existence of aliens because of a promise he had made with Kuroneko. Then, one day, a new transfer student comes to his class, who not only looks a lot like Kuroneko, but is named Kurohaneko! Written by Shakti Prasanna Mishra