All is perfect for Donovan Strathmore, lifecoach to the rich and famous, until a mysterious figure emerges, threatening to reveal a hidden past. As he searches for clues, his life begins to unravel, culminating in an onslaught of public humiliation. Donovan is forced to reconcile secrets long buried, and confront the one person he’s spent his life running from.
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Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
There is a new criminal mastermind at large (Professor Moriarty) and not only is he Holmes’ intellectual equal, but his capacity for evil and lack of conscience may give him an advantage over the detective.
In order to finance his law studies, Martin starts as a night watchman in a mortuary. When the victims of a serial killer of prostitutes are deposited there, scary things begin to happen. Therefore and because of a strange bet with his fellow student Jens, the police begins to think he is the murderer. Police detective Wormer wants to help him but Martin is more and more suspected.
Sara has some questions. Engaged for one day, she decides to call off her marriage. Quirky and beautiful, she is working on being bold. Having had a short relationship with a woman in college, Sara seeks that feeling again. How can she have a woman’s touch without giving up men entirely? This question launches Sara on a bittersweet journey filled with self discovery, sexual awakening, beautiful women and sometimes men.
Firefighter Jesse Graves has to save ornithologist Jennifer and other people caught in a forest fire, which was set up by the lawyer of convicted killer Earl Shaye, who escaped from the prison with several of his inmates posing as firefighters to recover $37,000,000 in stashed loot.
Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.