When Sam decides to drop the charges against her rapist, her friends and siblings gather to stage a Thanksgiving intervention.
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Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.
On Christmas Eve-time stops. How else could Santa deliver all those gifts? This Christmas Eve, two kids sneak out for some shenanigans only to find themselves passed over by the magic. Stranded in this time continuum, they meet a short tempered Santa. Unfortunately, the kids aren’t the only ones that were stranded and now the town is in danger.
Badly planned trek across Dartmoor landscape brings four friends face to face with the Dartmoor Beast. Lost and afraid the terrified party has to fight for their own lives in desperate attempt to survive the night.
1982, a film inspired by true events at the onset of the crack epidemic in Philadelphia, tells the story of a father and his efforts to protect his gifted daughter from the insidious epidemic which has literally come home via her drug-addicted mother. As his wife becomes more distant and unreliable, he struggles to raise his daughter on his own, while still striving to help his wife become clean. In the process, he learns some hard truths about his marriage and his life, which will ultimately test him as a parent, a husband, and a man
Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi