Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth.
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IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”
Hibiki Shimada, a normal 17-year-old high school student, still does not know how to fall in love—although surrounded by love “experts”—until one day she realizes that she’s fallen in love with her hot and nice 26-year-old teacher, Itou. She then takes a path to make her teacher understand how she feels for him.
William, a respected artist who lost everything after his divorce, arrives in Montreal on a job prospect. When the job falls through he then is saved and forms an erotic friendship and exposes his soul with a young woman named Paulette.
Musical prodigy, Sparkle (Jordin Sparks) struggles to become a star while overcoming issues that are tearing her family apart. From an affluent Detroit area and daughter to a single mother (Whitney Houston), she tries to balance a new romance with music manager Stix (Derek Luke) while dealing with the unexpected challenges her new life will bring as she and her two sisters (Carmen Ejogo and Tika Sumpter) strive to become a dynamic singing group during the Motown-era.
The story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny, an emotionally volatile former actress now working as a waitress in a clam house; Humpty, Ginny’s rough-hewn carousel operator husband; Mickey, a handsome young lifeguard who dreams of becoming a playwright; and Carolina, Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment.
Music legend Diana Ross stars with singer Brandy in this 1999 American made-for-television musical drama film. It tells the story of a mother driven to reach the heights of superstardom at the cost of abandoning her only child. In its review, Variety wryly noted “the message seems to be that no maternal crisis is so complex that it cannot be mitigated by the performance of a track from one’s latest CD”
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa’s tightly paced, beautifully composed “Sanjuro.” In this companion piece and sequel to “Yojimbo,” jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan’s evil influences, and in the process turns their image of a proper samurai on its ear.
At three years old, a chatty, energetic little boy named Owen Suskind ceased to speak, disappearing into autism with apparently no way out. Almost four years passed and the only stimuli that engaged Owen were Disney films. Then one day, his father donned a puppet—Iago, the wisecracking parrot from Aladdin—and asked “what’s it like to be you?” And poof! Owen replied, with dialogue from the movie. Life, Animated tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world.